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I shared on google.com
Copyright laws prevents release of historic jazz recordingsAmong the treasures: Coleman Hawkins, the first great tenor saxophonist in jazz, playing multiple ad-lib choruses on the classic "Body and Soul." Billie Holiday, accompanied only by piano, singing a moving rubato version of "Strange Fruit," a chilling musical condemnation of lynching. The Count Basie Orchestra performing at the world's first outdoor jazz festival, the 1938 Carnival of Swing on Randall's Island in New York City. Basie's tenor sax stars, Lester Young and Herschel Evans, sharing solos on "Texas Shuffle." Benny Goodman and Teddy Wilson--on harpsichord instead of his usual piano--performing "Lady Be Good!" And the list goes on. The collection is, in a word, historic. "It is a wonderful addition to our knowledge of a great period in jazz," says Dan Morgenstern, director of the Institute of Jazz Studies at Rutgers University in Newark, N.J. And, Morgenstern says, "the sound quality of many of these works is amazing. Some of it is of pristine quality. It is a cultural treasure and should be made widely available." The question, however, is whether that will happen anytime soon. And if it doesn't, music fans might be justified in putting the blame on copyright law. "The potential copyright liability that could attach to redistribution of these recordings is so large--and, more importantly, so uncertain--that there may never be a public distribution of the recordings," wrote David G. Post, a law professor at Temple University in Philadelphia, on the Volokh Conspiracy blog. "Tracking down all the parties who may have a copyright interest in these performances, and therefore an entitlement to royalty payments (or to enjoining their distribution), is a monumental--and quite possibly an impossible--task."
April 26 2011, 4:38pm | Comments »
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I bookmarked on delicious.com
January 11 2011, 2:59pm | Comments »
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I shared on google.com
RIAA To Stop Suing File Sharers [File Sharing]Suddenly, ISPs gain a tremendous new tool. One study in the UK showed that most people sharing music would stop when made aware that their activity was being tracked and that they were not, in fact, anonymous. Should that hold true in the US, ISPs would presumably see massive decreases in P2P traffic. The customer notifications can be blasted out by e-mail, making the whole process quick and easy for ISPs. As is usual for these sorts of schemes, questions still remain about what sorts of judicial processes will be in place to contest notifications and penalties, and what happens to a household Internet connection when Dad finds his access canceled even though he's never shared a file in his life?
December 19 2008, 12:51pm | Comments »
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